Rest Rooms

Artist’s Statement

Computers and telecommunications are converging in an alliance that challenges some of the most fundamental parameters of social interaction. Rest Rooms is an interactive installation designed to provoke thought about changes in our understanding of privacy and gender, and to provide a forum in which social and political questions can be raised: What will privacy be like in cyberspace? Will limits still be drawn to establish a personal space, and if so, where will the boundaries fall?

The installation consists of two computers installed in a rest room outfitted with video cameras and connected in a network. The screen of each computer is divided into four regions. One region displays a small video image from the camera located at that site. A larger area displays an image from the video camera in the other reso room. This enables people in each rest room to see and talk with people in the other rest room.

A third region is a common “graffiti” space, in which people in both locations can write or draw simultaneously on their common “bulletin board.” The fourth region continuously runs Quicktime movies of snippets from gender-related television advertising. This installation offers a forum in which participants can discuss existing and future spatial, political, and social demarcations that separate the sexes.

Exhibitions

SIGGRAPH ’94, Orlando, Florida (July 24-29, 1994)

Wexner Center for the Arts, Columbus, OH (April 1–30, 1995)

Verrückt, Schloß Agathenburg, Agathenburg, Germany (September 24 – November 26, 1995)

Schloß Arolsen, Bad Arolsen, Germany (February 24 – April 14, 1996)

Citations

F. Lynne Bachleda. SIGGRAPH Comes of Age. ARTS The Independent Spirit, Vol. XVI, No. 1 (Summer 1995)

Suzanne M. Marchese and Francis T. Marchese. Digital Media and Ephemeralness: Art, Artist, and Viewer. (Footnote) Leonardo Vol. 28, No. 5, Third Annual New York Digital Salon (1995), pp. 433-435 (3 pages) Published By: The MIT Press

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